For three months in 1939, Georgia O'Keeffe visited Hawai'i and painted the Islands' tropical plants and landscapes, capturing their essence and beauty. During two weeks on Maui, 12-year-old Patricia Jennings served as O'Keeffe's guide and companion, showing her the lush valleys and hills of Wailuku and the plunging waterfalls, lava bridges, and black-sand beaches of Hana.
124 Pages
10 x 9 x 1"

Besides containing photographs and recipes from Miss O'Keeffe's kitchen, the book describes in charming detail Miss O'Keeffe's outlook on food, philosophy, life, art and the world. Very easy, healthy recipes using food from Miss O'Keeffe's garden.

This latest, most comprehensive catalogue of the Georgia O'Keeffe Museum collection to date includes 335 of the nearly 3,000 works owned by the Georgia O'Keeffe Museum. Written by Barbara Buhler Lynes, its introduction documents the history of the Museum and the exponential growth of its holdings during its first ten years. The book's many vibrant reproductions are accompanied by texts that shed light on the meaning and significance of O'Keeffe's art.

This beautiful edition is made exclusively for the O'Keeffe Museum. This book contains the entire collection of works owned by the Museum. The book is encased in a slip cover that protects it and makes it very unique.

This slim, portable volume provides readers with a selection of splendid works from the Museum's collection, beautifully reproduced in full color. The book also includes brief histories of the Museum, Ghost Ranch, and the Research Center, as well as a comprehensive chronology of Georgia O'Keeffe's life. Soft Cover.

Georgia O'Keeffe: Abstraction, is our new catalog that complements a collaborative exhibition, co-organized by The Whitney Museum of American Art, The Phillips Collection, and the Georgia O'Keeffe Museum, which arrives in Santa Fe, New Mexico May 28, 2010 through September 12, 2010.

By exploring the particular nature of O'Keeffe's abstraction and the aesthetic climate in which it developed, this exhibition returns us to a clearer understanding of the origins of modernist abstraction and the heady euphoria that surrounded the first steps artists took into this unchartered aesthetic territory.

Yale University Press, 11.3" x 9.8" x 1.3". 256 pages.

Georgia O'Keeffe is rightfully celebrated as a pioneer who worked in her own style and on her own terms. Perhaps O'Keeffe's most significant contribution to art history was her unique approach to abstraction. From her groundbreaking charcoal drawings of 1915 to her final paintings from the 1970s over the course of a career spanning more than seven decades Georgia O'Keeffe consistently incorporated swirling circular forms into her compositions. Her innovative use of this motif as a means of abstraction stands in contrast to the strategies adopted by many of her peers. Using the circle and its kin - the ellipse, the oval, the spiral, and the arcing line - O'Keeffe explored the shifting terrain between abstraction and representation, sometimes calling upon them forms to represent a mood, a reaction to a sensation, or the spiritual essence of a subject.
SPECIAL PRICE $30.00

A beautifully written, moving biography by Roxanna Robinson. Named by The New York Times Book Review as a notable book of 1989, it is accurate, insightful and a great resource for scholars and the general public as well.

Published by University Press of New England, Soft Cover, 6 x 9.5 inches. 640 pages.

The exhibition catalogue, O'Keeffe and New Mexico: A Sense of Place, published by Princeton University Press, reproduces the exhibition's paintings and photographs, and includes essays by Barbara Buhler Lynes, Curator of the Georgia O'Keeffe Museum, and by the well-known writers Lesley Poling-Kempes and Frederick W. Turner.

The exhibition Georgia O'Keeffe and the Calla Lily in American Art, 1860-1940, organized by the Georgia O'Keeffe Museum (exhibited at the museum October 3, 2002 - January 14, 2003), is the first to examine the great appeal of this exotic flower as a subject for American painters and photographers. This gorgeous book presents a visual feast of 54 depictions of the calla by 33 different artists such as Imogen Cunningham, Charles Demuth, Marsden Hartley, Rebecca James, Georgia O'Keeffe, Man Ray, Joseph Stella, and Edward Weston. Its nine paintings of this elegant bloom by O'Keeffe, six by Hartley, and one by Demuth acknowledge the importance of this subject to the Stieglitz circle of modernist artists. The exhibition catalogue, published by Yale University Press in association with the Georgia O'Keeffe Museum, includes an introduction by esteemed O'Keeffe scholar and Georgia O'Keeffe Museum curator, Barbara Buhler Lynes, and two essays on the history and meaning of the calla, one by James Moore, director, The Albuquerque Museum, and another by Charles C. Eldredge, Hall Distinguished Professor of American Art and Culture at the University of Kansas. Soft Cover.

This two-volume catalogue by Barbara Buhler Lynes presents the first comprehensive record of O'Keeffe's work.

An introduction and listing of Georgia O'Keeffe's personal collection from her Book Room in Abiquiu, deepens your understanding of the artist and her interests. "There is not a book lover who would not be moved and excited to touch this private realm of the painters' life." - Elizabeth Glassman, President of the Georgia O'Keeffe Foundation in 1997.